Monday, May 6, 2013

Between the Games

Author's Note: This essay was written to judge the way the novel The Hunger Games was transformed into a film. My goal was to identify how certain things used in the movie helped stay true to or depart from the novel.

Interpretation on a novel varies from person to person, which is why converting a novel to a film has mixed reviews. For instance, take the novel The Hunger Games that was transformed into a movie, some individuals were not happy with the final product, while others thoroughly enjoyed each aspect. I, for one, thought that the producers created a fantastic visual for the book. Although every little piece wasn't put in, the timing of the movie would have been too long and would lose the viewer's focus. Few of the many contributors for excellence in this film were background music, setting and props, and the makeup and costumes.

 Initially, I thought that one stand-out key to the movie were the different sound effects and background music. Scene to scene there are unique musical points that complete the display for the amount of intensity that is represented in the book. For example, when the contestants rose from their tubes, and the bloodbath began, there was an eerie pitch that carried out to a sort of violin playing in quick pulses which gave the viewer the sense of a rush that was explained through the novel. Another case of intense musical tones would be when Katniss is stung by tracker jacker wasps- which are deadly wasps that can cause severe hallucinations and occasionally death. In this scene, or section of the book, I think that the author wanted to make the reader uncomfortable and through the rattlesnake noise in the film, the producer was able to get viewers to cringe at that noise. Continuing on is another intensified scene where Katniss blows up the pyramid of supplies that the careers are keeping to themselves. The music in this scene plays an immeasurable part because it displays that she accomplished a lot by destroying those several items. Sounds like the ringing pitch that you hear at the top of your head and the muted voices she hears after the aggressive explosion give off that effect.  Lastly there's the scene where Rue- who Katniss thinks of as her sister- dies, the music helps the tears fall in the audience. From the angelic tone to the soft guitar playing, the music helps this movie jerk tears, like the book does, and informs the viewer that she's in a better place now.

Although, without the setting and endless props, the background music has no effect. Throughout the movie, all of the scene setting was spot on according to the novel. District 12 was just as dirty, grimy, and impoverished as the novel described; the Capitol was filled with buildings touching the sky and thousands of snotty rich people with technologies more advanced than we have today. Few of the many noteworthy props and elements were the older looking individuals in District 12 and their ragged clothing. When aged people with not a lot of money are added to the scene, viewers have sympathy for them which brings up the poor status. Additionally, how the producers included the rugged wood on houses and no sorts of technology anywhere extended that increased poverty. Old wood indicates an elderly town and everyone not being able to modernize anything. The non-existent technology, as simple as a shower or telephone, also represents how poor they all are. On the contrary, the Capitol is exactly the opposite. With all buildings and decretive items being cleanly cut and shining, it's easy to tell that the Capitol is for the rich. In every area of the Capitol you can see modern technology. For instance, the game makers' control room is so advanced with the floating touch screen and the way the area is set up. The props that make the control room seem so technologically advanced are the glowing blue color and the clean circular shape it's formed in. Found in another futuristic movie, Avatar, blue was a color used in the holograms to display the envisioned future. Overall, the settings and props were truly advanced whether it be in poverty or wealth.

With the set carrying out its role exceptionally well, what our eyes really draw attention to are the characters in the movie. The makeup artists and costume designers really showed their best work in this film, especially when they decorated the Capitol actors. Inside the novel, these characters were described as insane and filthy rich. How they were dressed and designed really displays how they were so rich they didn't know what to do with their money other than spending it on clothing and obnoxious accessories. Costumes were unique to every single person, as well as the hair and makeup. Whether it be women's hats twice the size of Lincoln's, or dresses that weigh more than a bag of mulch on a steamy Sunday, the Capitol was complete with these costume designs. Furthermore, in District 12 the children wearing respectable clothing to the reaping really set the mood for not only the poverty in that district, but the high emotions as well. The teenage girl's dresses were button down and revealing nothing with cupped sleeves over the shoulder. These dresses were all appropriate because that was all they had and fashion at a reaping was not a priority. Outside of the reaping in District 12, there were miners, with torn and greasy clothing representing their hard work, and elders, with battered clothes and slouched backs exhibiting their long and worn life.

Makeup and costumes were apart of the many aspects that were able to phenomenally dress the movie according to the novel. Whether people are able to see it or not is in their behalf. Through the background music, settings, and makeup and costumes, The Hunger Games was a true beauty when transformed into a film.  In the reader’s eyes, criticism may be around every corner. Although, if you look at the general emotions and symbolism through the novel, 
The Hunger Games film has a true connection with the novel it was based off of.

Thursday, May 2, 2013

After You My Dear Alphonse

Mrs. Wilson made assumptions that Boyd is poor and has little to no clothes. She offers him things that make reverse racism obvious. Some of the things she offers are a lot of food, clothes, and questions about Boyd's family's work situation. When she is asking Boyd these questions her son defends and says no he's like us too, but his mother doesn't understand. It's different compared to Pewaukee because everyone treats people equally. Although in the world as a whole, many people are disrespected through reverse racism. I think that the lesson that Shirley Jackson is trying to get through is that people cannot just assume someone is one thing or another because those assumptions may not always be right.

Monday, April 29, 2013

A Clean, Well-lighted Place- 2 paragraph

From the short story to the film, I think that there were both similarities and differences in the storytelling of each. Initially, I thought that just by looking at the aged man in the film it didn't replicate the old and lonely man in the short story. Certain things that could contribute to this is the lighting. Emphasized numerous times in the written story that the eldest customer always sat in the shadowed area of a tree that was just outside in the cafe's outdoor space. In the short story, they always said how it was light, clean, and put together in the cafe, but the man chose to sit in the only shadowy part of the cafe. This helped show the old man's lonliness and depression.

Furthermore, there are some similarities within the short film and stories. One thing I thought they did really well on was making sure that the difference between the bar and the cafe were significant. The cafe was obviously well lit, orderly, and everything was perfectly in tact. In the cafe the floors were shining and all of the chairs were set perfectly with a polished bar. On the contrary, the bar that the middle-aged waiter went to was dirtier and filled with people. This shows that there needs to be a place for people to go, into a clean and quiet environment, that doesn't have the people, noise, or dullness.

Tuesday, April 23, 2013

A Clean, Well-lighted Place


How does Hemingway use light and dark as symbols? How do the shadows fit in?

In this short story, the light and darkness of the café really carry throughout this piece. Initially, the lighting in the café represents life and being able to, or allowed to, provide for strangers. The older, and wiser, waiter constantly mentions the fact that the café is very well lit, clean, and pleasant for visitors. He also mentions the fact that people may want to come into the café at a late hour for the comfort of the lighting and warmth of the café. This is interesting, though, that the younger waiter mentions nothing about the lighting because all he wants is to go home. Lighting in this piece could also represent grace and lovingness towards others due to the care that the older waiter is showing while mentioning the well lit café often, compared to the younger waiter who does not bring up that fact. Additionally, the darkness symbolizes what they are discussing. The older, drunken man that was sitting in the only shadowed place in the café symbolizes the topic the waiters were discussing. The two waiters were talking about the man, specifically about the fact that he is always showing up drunk late at night when all they want is to head home to sleep. If it wasn’t for the shadowy corner, there would be no man and no topic to talk over. 

Wednesday, April 17, 2013

Poetry

Author's Note: I wrote a collection of poems for one of my goals. I actually had a lot of fun putting these together because I normally don't write a lot of poems so it was fun to experiment. These poems share the similarities of ending with a depressing tone. I tried to make these poems so that anyone could relate to it. Personally, I relate to each of these in specific ways, can you?

Waiting For the Future
Near in the future,
The wind breathes warmth.
Where the flowers are blooming,
And the grass is rising.
When the children are laughing,
And smiles are beaming.

Though for now we are stuck,
With our feet sticky in the mud.
Washed into the silence of daily life.
Dark clouds haunt mornings,
While tears streak windows.
All we can do is wait.
Until the storms clear,
Until our heads are straight,
Until right meets wrong,
All we can do is wait.

 
Don't Return
Warm wind brushes my cheek,
Though, you see, each day is unique.
Some days it's pouring,
Leaving me in mourning.
Some days there's sunshine,
Leaving all the pain behind.
But either way I go,
I always know,
Its return is near,
Now I'm here,
All in fear.


It Was Clear
Clear and there.
If you ask me,
That’s what I saw.
Broad as daylight.
Arising from the dust,
We all made it.
We were right there,
So close,
I thought I was grabbing it.
But somewhere in time,
Those last ticks on the clock,
My hands became too sweaty,
I slipped.
Finger by finger,
My grip loosened,
And loosened,
Until all I arrived for,
Was gone.

Migraines At Their Finest

Author's Note: This piece is a research essay and I chose the topic of migraines because I've been having migraines. My type of migraines were complicated and confusing, though, and I figured if I established the basic knowledge of it, I could be more understanding of what's going on in my head. The footnotes I used carry on throughout the specific body subjects because I used one website per paragraph. Unfortunately, the footnotes got a little messed up when I tried transferring them onto my blog.

The pain kept drilling within my head. Mornings came and went, and it was still there mocking me every time I looked in the light, or even hearing the sound of the water running in the bathroom was torture. No one understood the knives that were in my brain, how horrendously it hurt to simply smile, or the thought that veered into my mind that maybe this won't ever go away. What's the secret behind migraines? Why are they so complicated and unique to everyone? There must be a solution to the complications of migraines; where can we find those answers?


Migraines aren't simply headaches, they are excruciating pains to one or both sides of your temples. For most types of migraines, they can be described as a throbbing pain that may cause vomiting and nausea, along with sensitivity to light or sound. Lasting from 4 to 72 hours, headaches like these cause 90% of sufferers to not function correctly during an episode. Among the top 20 disabling illnesses, migraines can cause depression, anxiety, and sleep disturbances. Personally, I become extremely annoyed with events that are uncoiling around me, even if it's someone talking casually. This neurological illness majorly affects day-to-day lifestyles; engaging in jobs, completing school work, providing for family members, and partaking in pleasures become next to impossible.[1]



While comprehending the basic outline of this disability, arrive to the idea of likely causes that demonstrate potential. Although each person presents their own exclusive headache, there are countless possibilities for the cause. Foods, sleep patterns, sensory stimuli, and genes are only a fraction of the many catalysts. Typical food suspects are alcohols, aged cheeses, chocolates, aspartame (artificial sweetener), caffeine overuse, Asian foods, and processed foods. Skipping meals or dieting can generate monstrous headaches. Furthermore, too much or not enough sleep can disrupt your head along with extravagant changes in your sleeping patterns. Jet lag can be a factor as well. This is the drowsiness felt after a long flight through multiple time zones. As strange as it may seem, your senses can also play a role in migraines. For example, disturbing smells, paint thinner, secondhand smoke, pleasant smells, sun glares, strong lights, and loud noises can activate attacks. Finally, headaches are genetic. There's a possibility that if you have a problem, it could be coming from your genes, too.[2]

Though pinpointing the source of a migraine is essential, if or when you have one, it wouldn't hurt to have a few cures up your sleeve. Medications used are categorized into two: pain-relieving and preventive. Pain-relieving is for acute problems and fast relief. Preventive is taken daily and helps to keep headaches and their brutality away. Ibuprofen is listed under pain-relieving, but if this medication doesn't cover the severity, there are a few heavier prescriptions that might. Few of the many pain-relieving medications are Triptans and anti-nausea drugs. If Triptans are successful, they should eliminate all of the symptoms migraines provide. The pain, nausea, light and sound sensitivity should all be decreased completely or become very minimal. Even if you don't have the vomit-related symptom, the anti-nausea medication still helps relieve the pain or dizziness that may be prevalent. Suppose the pain is reoccurring, or under the preventive category, some medications could be cardiovascular drugs or antidepressants. Cardiovascular drugs are usually used to treat high blood pressure and coronary artery disease, but can also reduce the amount of headaches and their pain levels. By affecting the serotonin and other brain chemicals' levels, antidepressants do a fantastic job at erasing migraines. Keep in mind that you do not have to be depressed in order to take an antidepressant. This drug can really help dreadful conditions of headaches.[3]


To this day neurologists still struggle with the meticulous aspects of migraines; the definitions, causes, and cures here are only the basis to what advanced doctors know. Endless mysteries still linger, but the more people that diagnose their problems, the more we can come to understand the confusions. Leaving behind the disastrous stages of a migraine is as if I was a feather. I felt light and free, where smiles came naturally and laughter wasn't a punishment. The cage was set free for me, and while I'm in high hopes of no return, I plead to share the news wishing for no one else to experience this agonizing illness.


[1]Migraine Fact Sheet


[2] Migraine: Causes


[3] Migraine: Treatments and Drugs




Works Cited


"Migraine Fact Sheet." Migraine Research Foundation. N.p., n.d. Web. 10 Apr. 2013. <www.migraineresearchfoundation.org/fact-sheet.html#top-wholepage >.


"Migraine: Causes - MayoClinic.com." Mayo Clinic. N.p., n.d. Web. 18 Apr. 2013. <http://www.mayoclinic.com/health/migraine-headache/DS00120/DSECTION=causes>.


"Migraine: Treatments and drugs - MayoClinic.com." Mayo Clinic. N.p., n.d. Web. 18 Apr. 2013.   <http://www.mayoclinic.com/health/migraine-headache/DS00120/DSECTION=treatments-and-drugs>.






MLA formatting by BibMe.org.

Friday, March 22, 2013

Revealing Horrors

Author's Note: This essay contains the analysis of The Boy in the Striped Pajamas by John Boyne and the connections with society. My goal in this piece was to score high in text analysis.


Marked down in history our history, six million Jews were murdered. Through the 1930's and 40's, Adolf Hitler had a plan- a very sick and evil plan- where he plotted to destroy those communities which were filled with Jewish people. This was called the Holocaust. The Boy in the Striped Pajamas written by John Boyne, follows the story of a nine-year-old boy named Bruno who used to live in a charming and expensive home. When Bruno has to move from his five-story home in Berlin, to a three-story home many miles away, he proceeds his life without friends. Nonetheless, this house had not one neighbor up nor down the street. Due to Bruno's voluminous imagination, he searches for a playmate along the never ending fence in his backyard. What he winds up discovering reveals truths that he was never told, and are never to be forgotten. Within this novel, the subtleness overcomes your heart and leaves you to consider the messages of innocence, irony, and consequence.

Innocence is displayed through not the writing alone, but symbolism throughout the novel as well. Authored in the perspective of young Bruno, he is clueless as to what his father does for work, or in other words, the idea of the Holocaust in general. For instance, this quote defines his lack of awareness to the world's situation, "'Hey, you!' he shouted, then adding a word that Bruno did not understand. 'Come here you - ' He said the word again, and something about the harsh sound of it made Bruno look away and feel ashamed to be apart of this at all." (page 75) Not only does this quote scream the obliviousness Bruno has, but his discomfort of how the Jews are being treated on top of that. Bruno's uneasy feeling indicates that he doesn't like the Holocaust and what the soldiers are doing, whether he knows anything about it or not. The novel as a whole showcases the mind of a nine-year-old and the innocence in this situation leads to massive irony.

From the eyes of an innocent boy, the irony takes a large place in this novel basing off of the innocence. Said in the text of this novel is that Bruno's father works a major role in his job which is also referred to as a soldier. As mentioned in the previous paragraph, Bruno felt very displaced when he noticed one of the soldiers spitting his words at the fellow maid. Here in this case, it's ironic because Bruno's father is very dignified with what he does and Bruno is looking down upon the whole idea of despising these types of humans. An additional example of irony in this book would be how Bruno dreads being all alone on the non-Jewish side of the fence. Along with this situation stands the irony of the thousands of people who only want to escape the trap they're in; the place where Bruno thinks he wants to be. Jealously, Bruno asks how many boys are there on the other side of the fence to his newfound companion, "'Are there many other boys over there?' asked Bruno.     'Hundreds,' said Shmuel.     Bruno's eyes opened wide. 'Hundreds?' he said, amazed. 'That's not fair at all. There's no one to play with on this side of the fence. Not a single person.'" (page 130/131) Ironically, this quote aims at the fact that Bruno wants to be on the other side of the fence with Shmuel where the conditions are worse. Although Bruno doesn't know about the Holocaust, the author intended for him to act eager to be on the opposite side of the fence for symbolic reasons. For example, with the father being a high-class soldier, it's symbolically ironic to have the son of the soldier want to join the so-called "enemy", as well as the pure irony of walking right into the evil of what his father was truly doing. Bruno only discovers his father's true occupation in death.

While the irony is heavily present, Boyne unveils a series of consequences unfurling page by page. Early on in the book, there is a flashback written to when Bruno's father and grandmother were in a stressed conversation about the father's job and duties, "'It makes me so proud to see you elevated to such a responsible position. Helping your country reclaim her pride after all the great wrongs that were done to her. The punishments above and beyond--'     'Oh, will you listen to yourself!' cried Grandmother. 'Which one of you is more foolish, I wonder?'" (page 91) Obviously from this text it is evident that the grandmother is petrified to see that her son is apart of the more superior soldiers. With that, farther into the book, it mentions the grandmother's death which ties into the consequence of the novel. With her death, all voiced opposition against the father's job dies too. Revealed in the closing pages of the book is Bruno joining Shmuel on the other side of the fence where the both of them are murdered standing amongst many other Jews. Ironically, the son of a upper-class soldier was murdered within his own plan, ironically -- which would lean with the suggestions that the deceased grandmother was targeting for. Signifying that since the grandmother was ignored, not only was her death a penalty, but additionally the death of the soldier's son.

What makes the Holocaust so frightening is the fact that it wasn't that long ago, and this book keeps its horrors fresh in our minds. It helps us understand what happened and it helps us to see the different perspectives of the people involved in the Holocaust. Most importantly, we see what it would be like to be someone who had no control over their fate. Bruno is proof that not everyone on the non-Jewish side of the fence was supportive of the Holocaust. As an innocent child he is stuck around people, like his father, who support the Holocaust. He isn't fully aware of what is going on, but he is always uncomfortable when people talk harshly about the Jews around him. Like many people in our own society, Bruno is someone who has found himself stuck in the middle. On one side he has his father, and on the other he has his friend Shmuel. His father stands for everything Shmuel would be against, afterall his father is the reason Shmuel is there in the first place, but Bruno is so desperate to have a friend and doesn't think about the terrors of the concentration camp. In the end, Bruno chose his side. He chose his friend over his father, and his father incidentally took his son's life. Not every instance in society is this extreme, but it goes to show that one day we will all have to pick a side and stand by our beliefs and their consequence.

Boyne's book does a marvelous job of encompassing the aspects of innocence, consequence, irony and society so that it catches a place in our heart. He does well to tug at our heart strings, push our patience and help us to feel the different agonies suffered by different characters. Through each of these viewpoints we learn more about the value of perspective and the universal need for friendship in any form. A child's love is blind, but it is stronger than almost anything else in this world. Maybe Boyne meant to suggest, through all of his literary tactics, that we should all be more like Bruno. He does not suggest that we should walk through life blindly, but rather we should not limit our friendships because of a wire fence. If we fight the stereotypes we help society form, we can avoid another Holocaust. This book was written for us to remember, feel, and learn from the past.